Its mid October on the Greek island of Samos. From the terrace above my little Airbnb house in Palaio Karlovasi, the views are perfect in every direction for painting.
The mountains opposite have a dreamy layer of mist floating below the peaks. Below that olive trees grow in red earth, and to the right a whole forest flourishes. Its the next level below that, that really catches my eye. A glowing white, red roofed house has three black short-sleeved shirts paraded like flags below the balcony. A large church building, Aghios Isidoros, hides the rest of the foreground from view. I make the church of lesser importance, and bring the house with the washing line much closer, as that is really my main subject.
Today the sky is flecked with clouds looking like horizontal brushstrokes, so that is where I start after sketching out the main outlines.
This is a homely domestic scene. The teenager has an almost vacant, look, as she sits watching TV, and certainly doesn’t appear to be that happy. You can’t see what she is thinking, as she is wrapped up in her own little world. Its evening time, and in the top left hand corner of the painting, adjacent to a small plant, the little lamp on top of the wooden desk casts reflected colours onto the desk itself and the wall to the right, on which a painting of a child playing the violin hangs. The armchair on which she sits has a yellow cellular blanket draped over it, while the second armchair next to her is adorned with colourful cushions. On the far left is a patterned carpet/rug.
So many colours and patterns, yet somehow they all hang together!
Another painting from life , created ten years earlier than the one shown above, depicts Greek villagers going about their business in the summer of 1984
A photo is a moment in time, the shutter clicked to capture a subject that excites visually or emotionally, or it can simply be a notebook to record facts and ideas. Just as in photography, the choice of a subject for a painting can be made in a flash, or it can require slowly made decisions to choose that moment when the lighting is right and it all comes together. Before starting this painting, I walked all round the area, taking photos of potential subjects, then painted it on the spot, spread over two evenings, not finishing till almost nightfall. Below are some of the photos I took before choosing the painting that would emerge. The first three photos show what I did not choose to paint – but did consider – as they didn’t suit the size and proportions of my canvass, and it the case of the first photo, would work much better in graphic media, rather than oils.